Galatians.2

"O what are all my sufferings here compared to life above?" This Charles Wesley text is set to a sturdy tune by William Walker, compiler of shape-note books such as Southern Harmony. It celebrates our

Inspired by Psalm 133, composer Michael John Trotta has written a lovely a cappella piece that celebrates the unity of brotherhood among all people. This calm, sonorous work is the perfect choice for a

The seventh movement from Stopford's Missa Deus Nobiscum, the Benedictus is reflective and "blessed," for he who comes in the name of the Lord is God with us.

This anthem of comfort and assurance is built around the words "do not be afraid." The repetition of these words evokes a sense of calm that permeates the piece. Beautifully crafted.

Recently celebrating its 50th year in print, this breathtaking choral essay is simply one of the finest choices for Advent or general services with a text based on Revelations 22. Conceived for a

The great American hymn The Lone, Wild Bird serves as the basis for this arrangement. The work begins with a plaintive alto solo and gradually builds by layering voices. Sensitive arranging and

Composer Matthew Culloton brings his special touch to this traditional Basque Advent carol. Scored for SSATBB a cappella voices, it retains the most familiar elements of the carol while adding fresh,

Commonly used as symbolism in Christian texts, river imagery inspired this pairing of It is Well (When Peace Like a River) and Shall We Gather at the River. Together they combine to

Here is a rousing setting for a cappella chorus on the tune Invitation from the shape note collection Southern Harmony of 1835. With an alternate text for the Christmas

This lively arrangement of a traditional French Christmas carol may be sung in either English or French. A cappella, it features animated polyphony throughout, with a delightfully layered and varied choral

This jewel of late-Renaissance polyphony for unaccompanied SATB voices was written by Spanish composer and priest Sebastian de Vivanco. Its subject is the commemoration of a martyr, making it

Matthew Culloton has crafted a fresh, sensitive setting of The Holly and the Ivy for SATB divisi a cappella voices. The four stanzas flow gently through shifting tonal regions and nicely varied

Usually set to a jaunty, rhythmic tune, you will be quite pleased with Peter Niedmann's smoothly flowing original setting of this text. For unaccompanied SATB with occasional divisi. Different, expressive,

This setting breathes new life into the familiar Christmas carol, giving it a luxurious and contemporary flair. The setting is arranged for choir and orchestra or may be performed with piano only. 

Written for The Wartburg Choir in celebration of the 500th anniversary of the Reformation, I Still Possess juxtaposes a vernacular quote of Martin Luther ("…whatever I have placed in God's